Meet Story Editor and #FromOurDarkSide Consultant Lesley Krueger

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Lesley Krueger is a screenwriter and novelist, raised in Vancouver and now living in Toronto. As a filmmaker, she has written everything from Hollywood movies through international co-pros to tiny-budget short films, script-doctoring Silent Hill from director Christophe Gans, writing the award-winning short How to Keep Your Day Job from director Sean Frewer, and story editing features like writer/director Karen Lam‘s horror film, Stained. Lesley is the author of six books. Her new novel is Mad Richard, which the Globe and Mail calls “alive with wit and rebellion.” She works as a screenwriting mentor at the Canadian Film Centre in Toronto. In 2015 Lesley mentored From Our Dark Side winner Gloria Ui Young Kim on her story Deception, in 2016 she worked with Jennifer Krukowski, and she joined again for Season 3 to consult with Samantha Loney on her project Married to Murder.  Continue reading

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Meet Story Editor and #FromOurDarkSide Consultant Sara Snow

Sara SnowSara Snow is a Gemini and Leo award-winning writer who has worked on drama, comedy, youth, and sci-fi series, including stints as writer/producer on Arctic Air, head writer on season 1 of Mr. D., and a season as show runner of Degrassi: The Next Generation. She has story-edited features and short films, including work by Karen Lam and Sharon Lewis and is currently developing a dystopian sci-fi series with award-winning graphic novelist David Robertson and a comedy series with filmmaker/actor Michael Seater. Sara is particularly interested in adaptation, as well as thrillers, dystopian and supernatural stories, and dark comedy projects.

Sara worked with 2015 From Our Dark Side winner Shereen Jerrett, in 2016 she worked with Ana de Lara, and she joined the mentor pool again for Season 3 to consult with Elle Wild on her project Strange Things Done.  Continue reading

Meet Story Editor and #FromOurDarkSide Consultant Nikki Saltz

By Peggy Thompson – Project Consultant

Nikki Saltz is a screenwriter and script consultant based in Toronto. She is the founder of the script consulting agency, House of Stories, and is an alumnus of the prestigious Writers’ Lab at the Canadian Film Centre. Nikki has worked in Script Development for Darius Films, Amaze Film + Television, Whizbang Films, and New York’s Goldcrest Films, as well as with countless producers and writers. When she’s not story editing, Nikki produces horror films written and directed by women with her company, Ikki Pictures. Their film “The Tease” played at the Calgary Horror Con and the Chicago Horror Film Fest last year, and the company has just completed post on a new film. Nikki was the creator of the digital series, Slutty Book Club, produced by Smokebomb Entertainment. Her writing has appeared in Chatelaine Magazine, on the CBC and in the Toronto Star.

This year Nikki is consulting with From Our Dark Side winners Melanie Jones and Mariel Scammell on their respective projects: Switchback and The Lot.

You love horror – why is it an important genre for women?
Horror is undersold as a genre for feminists. It’s a genre where filmmakers often feel like outsiders, and as a result, they tend to be less afraid to be critical, and more willing to tell stories that are critical of society and the status quo. The genre lends itself to disruption, which I love. When you add feminism into that already delicious mix, the results are very exciting to me.

Do you have any favourite horror tropes?
It’s less of a trope and more of a sub-genre, but I’m particularly interested in rape-revenge films. It’s obviously very dark subject matter, but I’m fascinated by how these narratives are depicted in horror, especially because most of the time, they’re written by men and exploited for thrills and scares and titillation. I always have my eye on women who are taking control of narratives that reflect our own experiences… but I’m also a sucker for classics like I Spit On Your Grave, Ms. 45, and The Last House on the Left (which still holds its own as one of the most disturbing films I’ve ever seen!).

Why are you involved as a story consultant with From Our Dark Side?
I think it’s extremely sad that there’s still this perception that horror is a boy’s genre, and sadder still that we even have to have female horror filmmakers instead of just horror filmmakers who happen to be women. When we make films at Ikki Pictures (my production company), we crew at least 75% female, and it always makes me laugh to see the men on our crews turning away and being grossed out by our gore effects, whereas the women don’t even blink an eye at blood and guts. Another reason I’m involved is because every year, I wait to see what films get programmed at Midnight Madness (at TIFF) and every year, I’m sorely disappointed to find maybe one woman director in the program. I’ve asked the festival why this is, and their response was that there simply aren’t lots of women submitting horror films. I don’t know if that’s entirely true, but if it is, I want to be involved in anything that will change that.

Who are some women working in horror who inspire you?
I’m really inspired by Jovanka Vuckovic, who just put out the female horror anthology XX. Beyond being a talented filmmaker, she’s extremely generous and supportive of other women filmmakers, too. The Soska Twins are another favourite(s) of mine. Then there’s Marina De Van (In My Skin) and Claire Denis (Trouble Every Day). I’m also really pumped to see what Julia Ducournau, who made Raw, does next.

And anything else you’d like to add.
Just that I’m so glad From Our Dark Side exists, and I can’t wait to see the films that come out of this incubator!

Meet Story Editor and #FromOurDarkSide Consultant Carrie Gadsby

Carrie GadsbyCarrie Gadsby is a Vancouver-based story editor and analyst for feature film, who has lived in Los Angeles, where she worked in development for Oliver Stone. A freelancer, Carrie has also worked extensively with Telefilm Canada and Super Channel.

Working collaboratively and intimately with writers has always been her true passion, says Gadsby in a recent e-interview. Most recently, she was involved in the book adaptation of The Dwelling with Robert Cuffley, and as story editor for WIFTV member Suzanne Crocker’s multiple award winning documentary All The Time In The World. Continue reading

WIFTV Banff World Media Festival Mentorship Program

Mentorship programs play a key role in WIFTV’s continual efforts to support the professional development of women in the Canadian screen-based media community. That’s why, once again, Women in Film and Television Vancouver is proud to partner with the Banff Media Festival for the WIFTV Banff World Media Festival Mentorship Program.

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Left to right, Dusty Kelly, Dawn Brett-Hauschild (last years recipient), and Canadian Heritage Minister Melanie Joly at the 2016 Banff World Media Festival. Read more about Dawn’s festival experience here.

Successful applicants (mentees) are provided with:

  • a festival pass to the Banff World Media Festival (June 11-14, 2017),
  • a pre-festival consultation with an experienced television producer or development executive; and
  • two supporting meetings a fellow WIFTV member, before and during the festival.

Going into their 38th year, the Banff World Media Festival is one of the world’s largest gatherings of entertainment and digital media executives, making it the ideal place to make new contacts, find production partners and green-light new projects. The event features in-depth spotlights on key international territories, pre-booked Face-to Face Meetings with industry decision makers, and unparalleled opportunities for networking with potential partners from across the globe.

We’re pleased to offer WIFTV members a discounted pass … and on top of that, we’ll send one exceptional writer, director, or producer to the festival with some well-deserved support.

Learn more about the application process here.