With DOXA right around the corner, Women in Film and Television Vancouver caught up with three members whose films will be screening during the festival. DOXA, the name stemming from a Greek word pertaining to the realm of opinion and belief, is heading into its 16th year as Vancouver’s annual international documentary film festival. Presented by the Documentary Media Society, the 11-day festival explores the role of documentary as both an art form and a ‘site of dialogue’.
The festival is opening with The Road Forward, an innovative stage play turned musical documentary from award-winning writer, director, and producer, Marie Clements. Clements explores the important and often untold stories of the Aboriginal political and social movements in BC. We chatted with The Road Forward Producer and WIFTV member Shirley Vercruysse who told us the film reminds the viewer of the history of the First Nations activism in BC in a very personal way, stating “this film is by the right person, made with the right people.” The film tells the stories of Canada’s oldest active Indigenous organization, the Native Brotherhood of British Columbia, The Native Voice newspaper (1946 – 2002), and the Constitutional Express — a peaceful protest on an Ottawa bound train to ensure the rights of Aboriginal people were included in the 1982 Constitutional Act. Vercruysse went on to explain that many of the people involved in making this film, who have also been involved in Aboriginal activism for 50 or 60 years already, felt that the work is successful in telling these stories. Shirley Vercruysse is the Executive Producer of the National Film Board of Canada’s BC & Yukon Studio, based in Vancouver, BC, where she leads the team producing documentary and animation projects. The Road Forward is screening on opening night (May 4th) and again on May 10th.
You’re Already in the Band (You Just Don’t Know It Yet), created by WIFTV member Sandra Ignagni, follows The Carnival Band as they celebrate community through music. The Commercial Drive-based band can be spotted at a variety of events, from protests to parades, all over Vancouver. Ignagni followed The Carnival Band for over a year, documenting rehearsals, road trips, a wedding, a funeral, and everything in between. In 2016 Ignagni was chosen for a WIFTV Short Film Mentorship program. She explained that “my participation in that program helped propel the project forward and that positive momentum was critical to me finishing the film.” Sandra Ignagni is an award-winning documentary filmmaker based in Los Angeles and Vancouver. She trained in film production at Maine Media and Langara College and holds a PhD in Political Science and a Master of Arts in Indigenous & Canadian Studies. You’re Already in the Band (You Just Don’t Know It Yet) will be screening on May 9th and 10th as part of the City Voices: Short Program.
Fixed! is having its world premiere on May 8th and screening again on May 11th. The film centers around the volunteer-run, grassroots organization known as Repair Café in Toronto. The group holds monthly events where people bring in unexpected items they cherish enough to find out if they can be repaired. We sat down with producer and WIFTV member Joella Cabalu who described these repair services as “tangible, accessible solutions that people can introduce in their lives.” Cabalu explained that the film focuses on the interactions between the volunteer fixers and the visitors in a way that explores both the community aspect and environmental aspect of repair cafes. Joella Cabalu is a Filipino-Canadian Vancouver-based documentary filmmaker with an Art History degree from the University of British Columbia (2008) and a graduate of the Documentary Film Production Program at Langara College (2013). Fixed! is part of the Stuff: Shorts Program, described by DOXA as a collection of films that “calls attention to our increasingly complex and contradictory relationship with our stuff.”
DOXA 2017 is screening at select theatres throughout Vancouver from May 4th to 14th. Check out the schedule here.
Words by Kaitlen Arundale