From Our Dark Side Winner, Bridget Canning, Talks about Projects and Pitching at the 2017 Frontières Market

Less than a week after the 2017 Frontières International Co-Production Market in June, Bridget Canning was listed on IndieWires “The Best Horror Films Yet to Be Made” List. Here is what she had to say about her time at Frontières.

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Frontières was amazing. I left feeling much more confident in my ability as a writer and storyteller and with more “tools” for getting my work out there. Pitching was nerve-wracking, but overall, the experience was worth it – especially as the pitch session worked as an ice-breaker for meetings. Many meetings went from discussing my project to talking about stories themselves; it was great to get to the heart of why people work in film.  I left Frontières with many contacts I feel would be a pleasure to collaborate with.

If I was to do it again, I think I would spend more time researching participants to get a closer “fit” as to what we are both looking for. And I would gladly do it again.

        — Bridget Canning; Author

To find out more about the From Our Dark Side Genre Concept Competition click here.

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Laura Adkin Reflects on Her Experience as a WIFTV Actor Career Mentee

When I was three years old I stood on stage during my pre-school Christmas nativity play (where I played an Angel) and looked out into the crowd – I was hooked. I knew this is what I wanted to do. A lot has happened since then.  

Laura Adkin

Laura Adkin

For the past 15 years, I have been working in the film and television industry, starting out as a wide-eyed actor with really big dreams (not all of those dreams came true). I’ve had major victories and hit major road bumps, but it wasn’t until I discovered mentorship that I realized I didn’t have to go it alone.

Nine years ago, when I was living in LA, I decided to become a member of Women in Film Los Angeles. Through that organization, I participated in a mentorship program with Elaine Hendrix, who helped guide me in the direction I wanted my career to move. It was inspiring and eye opening and had a huge impact on me.

Years later, when I was back in Vancouver, I was desperate for that same sort of mentorship opportunity. Luckily for me, Krista Magnusson, seeing the lack of female actor mentorship in Vancouver, decided to start a program through Women in Film and Television Vancouver. And I was lucky enough to be selected for the inaugural round of the WIFTV Actor Mentorship Program.

My mentor was actress Pascale Hutton. She became an amazing source of information and support, as well as a great sounding board. The program not only gave me the opportunity to have a successful and strong woman to look up to and ask questions, but it also forced me to look at my career in a different way. What did I want? What are my goals? Where do I see myself in five years? The results were career changing to say the least. I had always dabbled in content creating (writing, producing, etc.), but the more I talked with Pascale and the more I did my own soul searching, I realized: not only did I want more than acting – I needed more.

A part of my creative brain wasn’t being accessed and I knew I needed to do something about it. I wrote a short film, which I starred in and produced. I wrote it and produced it within my six- month mentorship program and that set me on a path I never would have imagined. In one of our meetings, Pascale told me I wouldn’t go the typical route of an actor, that my path would be different and I should embrace that. And that’s what I did.  

Since being a WIFTV mentee, I have Directed and written three short films, pitched features to networks, written a pilot, won grants, been accepted into programs, won awards and now even teach at a prestigious acting school. This program was amazing on so many levels and was invaluable to my career. It also showed me the power of mentorship and, like Kevin Spacey said, “If you’ve done well, it’s your obligation to spend a good portion of your time sending the elevator back down.” For the rest of my career I will send the elevator back down and help whoever wants to get on it.

 

Samantha Loney, From Our Dark Side Winner, Dishes about the Highlights (and more) of the 2017 Frontières Market

We asked Samantha Loney some questions about taking her project Married to Murder to the 2017 Frontières International Co-production Market and Networking Platform and here is what she had to say. 

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What were your Top 3 Highlights from your time at the Frontières Market? 

1 – Seeing a rough cut scene from George A. Romero’s Road of the Dead!!!

2 – Getting the chance to pitch my project alongside some amazing ladies and be berated in front of an audience by an amazing group of judges. Was a great learning experience.

3 – The Femme Fatales ladies only gathering was amazing. It was a safe space to discuss our period cramps, and how to overthrow the patriarchy. Stay tuned world.

What was one of the lessons learned through the experience?

Grey Nuns Residence is a great place to stay because you’re a block away from all the events at Frontières, but is it worth it when you have to lay awake at night dressed in nothing but your own stank? For lazy people like me yes, but warning to future participants Grey Nuns has no air conditioning.

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If you had to pick only one, tell us about your favourite moment.

The farewell dinner. After spending four days of talking we got to eat some amazing food, and dance away all the calories from the wine we had consumed all week.

What impact do you feel being at Frontières Market had on your project?

I’ve made quite a few connections, and have been in talks with a director, which I hope works out well so we can take Married to Murder back to Frontières next year to beg for some money on the big stage!

 

From Our Dark Side Winner, Elle Wild, Shares Her Experience at the 2017 Frontières Market

 

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Elle Wild – Strange Things Done

 

What an exceptional experience FRONTIÈRES is for new filmmakers! First and foremost, it was great to catch up with my fellow Dark Siders and see their projects flourishing. Initially, when we found out that we were winners in Women in Film’s “From Our Dark Side” genre writing contest, we knew we’d be attending FRONTIÈRES, but we weren’t expecting the opportunity to pitch there. Later, the Dark Side gals were invited to pitch as part of Fantasia – and a new focus on women filmmakers – in front of a panel of industry experts. I confess that I wasn’t sure how this would go when I packed up my shiny new promo materials (thanks designer Sara Bailey and WIFTV!) and copies of my novel, Strange Things Done, and boarded a plane for Montreal. Strange_Poster_FInal

When we arrived, however, we received such a warm welcome that I immediately felt very much at ease. Also, we had a full day to observe other pitches and relax before our own presentations, so that by the time it was my turn to take the mic, I felt well-prepared.  I think it’s fair to say that we were all a bit trepidatious about what the panel’s comments might be, but I found them to be supportive and insightful. I also thought it was helpful that, when you were booked in a 20-minute meeting with producers, many of them

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Elle Wild and Mariel Scammell, 2017 F.O.D.S. Winners

had already heard the pitch, so you could get down to details. Finally, I loved that FRONTIÈRES offered writers their own table (conveniently close to caffeine) in a collective meeting room, so that instead of scurrying from place to place to pitch your project, all you had to do was show up. I think this helped to emphasize that writers are not beggars at the filmmaking feast, but are an important guest at the table, and I appreciated the gesture. 

 

 

Did I mention that our schedules were absolutely packed with producer meetings? Plus, Montreal! Quelle ville spectaculaire!

Thank you Women in Film, Dark Side sponsors, and FRONTIERS!

-Elle Wild, Filmmaker/NovelistIMG_0739

Meet Story Editor and #FromOurDarkSide Consultant Lesley Krueger

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Lesley Krueger is a screenwriter and novelist, raised in Vancouver and now living in Toronto. As a filmmaker, she has written everything from Hollywood movies through international co-pros to tiny-budget short films, script-doctoring Silent Hill from director Christophe Gans, writing the award-winning short How to Keep Your Day Job from director Sean Frewer, and story editing features like writer/director Karen Lam‘s horror film, Stained. Lesley is the author of six books. Her new novel is Mad Richard, which the Globe and Mail calls “alive with wit and rebellion.” She works as a screenwriting mentor at the Canadian Film Centre in Toronto. In 2015 Lesley mentored From Our Dark Side winner Gloria Ui Young Kim on her story Deception, in 2016 she worked with Jennifer Krukowski, and she joined again for Season 3 to consult with Samantha Loney on her project Married to Murder.  Continue reading

Meet Story Editor and #FromOurDarkSide Consultant Sara Snow

Sara SnowSara Snow is a Gemini and Leo award-winning writer who has worked on drama, comedy, youth, and sci-fi series, including stints as writer/producer on Arctic Air, head writer on season 1 of Mr. D., and a season as show runner of Degrassi: The Next Generation. She has story-edited features and short films, including work by Karen Lam and Sharon Lewis and is currently developing a dystopian sci-fi series with award-winning graphic novelist David Robertson and a comedy series with filmmaker/actor Michael Seater. Sara is particularly interested in adaptation, as well as thrillers, dystopian and supernatural stories, and dark comedy projects.

Sara worked with 2015 From Our Dark Side winner Shereen Jerrett, in 2016 she worked with Ana de Lara, and she joined the mentor pool again for Season 3 to consult with Elle Wild on her project Strange Things Done.  Continue reading

Meet Story Editor and #FromOurDarkSide Consultant Carrie Gadsby

Carrie GadsbyCarrie Gadsby is a Vancouver-based story editor and analyst for feature film, who has lived in Los Angeles, where she worked in development for Oliver Stone. A freelancer, Carrie has also worked extensively with Telefilm Canada and Super Channel.

Working collaboratively and intimately with writers has always been her true passion, says Gadsby in a recent e-interview. Most recently, she was involved in the book adaptation of The Dwelling with Robert Cuffley, and as story editor for WIFTV member Suzanne Crocker’s multiple award winning documentary All The Time In The World. Continue reading

WIFTV Banff World Media Festival Mentorship Program

Mentorship programs play a key role in WIFTV’s continual efforts to support the professional development of women in the Canadian screen-based media community. That’s why, once again, Women in Film and Television Vancouver is proud to partner with the Banff Media Festival for the WIFTV Banff World Media Festival Mentorship Program.

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Left to right, Dusty Kelly, Dawn Brett-Hauschild (last years recipient), and Canadian Heritage Minister Melanie Joly at the 2016 Banff World Media Festival. Read more about Dawn’s festival experience here.

Successful applicants (mentees) are provided with:

  • a festival pass to the Banff World Media Festival (June 11-14, 2017),
  • a pre-festival consultation with an experienced television producer or development executive; and
  • two supporting meetings a fellow WIFTV member, before and during the festival.

Going into their 38th year, the Banff World Media Festival is one of the world’s largest gatherings of entertainment and digital media executives, making it the ideal place to make new contacts, find production partners and green-light new projects. The event features in-depth spotlights on key international territories, pre-booked Face-to Face Meetings with industry decision makers, and unparalleled opportunities for networking with potential partners from across the globe.

We’re pleased to offer WIFTV members a discounted pass … and on top of that, we’ll send one exceptional writer, director, or producer to the festival with some well-deserved support.

Learn more about the application process here.