Lesley Krueger is a screenwriter and novelist, raised in Vancouver and now living in Toronto. As a filmmaker, she has written everything from Hollywood movies through international co-pros to tiny-budget short films, script-doctoring Silent Hill from director Christophe Gans, writing the award-winning short How to Keep Your Day Job from director Sean Frewer, and story editing features like writer/director Karen Lam‘s horror film, Stained. Lesley is the author of six books. Her new novel is Mad Richard, which the Globe and Mail calls “alive with wit and rebellion.” She works as a screenwriting mentor at the Canadian Film Centre in Toronto. In 2015 Lesley mentored From Our Dark Side winner Gloria Ui Young Kim on her story Deception, in 2016 she worked with Jennifer Krukowski, and she joined again for Season 3 to consult with Samantha Loney on her project Married to Murder. Continue reading →
Sara Snow is a Gemini and Leo award-winning writer who has worked on drama, comedy, youth, and sci-fi series, including stints as writer/producer on Arctic Air, head writer on season 1 of Mr. D., and a season as show runner of Degrassi: The Next Generation. She has story-edited features and short films, including work by Karen Lam and Sharon Lewis and is currently developing a dystopian sci-fi series with award-winning graphic novelist David Robertsonand a comedy series with filmmaker/actor Michael Seater. Sara is particularly interested in adaptation, as well as thrillers, dystopian and supernatural stories, and dark comedy projects.
Sara worked with 2015 From Our Dark Side winner Shereen Jerrett, in 2016 she worked with Ana de Lara, and she joined the mentor pool again for Season 3 to consult with Elle Wild on her project Strange Things Done. Continue reading →
Carrie Gadsby is a Vancouver-based story editor and analyst for feature film, who has lived in Los Angeles, where she worked in development for Oliver Stone. A freelancer, Carrie has also worked extensively with Telefilm Canada and Super Channel.
Working collaboratively and intimately with writers has always been her true passion, says Gadsby in a recent e-interview. Most recently, she was involved in the book adaptation of The Dwelling with Robert Cuffley, and as story editor for WIFTV member Suzanne Crocker’s multiple award winning documentary All The Time In The World.Continue reading →
Mentorship programs play a key role in WIFTV’s continual efforts to support the professional development of women in the Canadian screen-based media community. That’s why, once again, Women in Film and Television Vancouver is proud to partner with the Banff Media Festival for the WIFTV Banff World Media Festival Mentorship Program.
Successful applicants (mentees) are provided with:
a festival pass to the Banff World Media Festival (June 11-14, 2017),
a pre-festival consultation with an experienced television producer or development executive; and
two supporting meetings a fellow WIFTV member, before and during the festival.
Going into their 38th year, the Banff World Media Festival is one of the world’s largest gatherings of entertainment and digital media executives, making it the ideal place to make new contacts, find production partners and green-light new projects. The event features in-depth spotlights on key international territories, pre-booked Face-to Face Meetings with industry decision makers, and unparalleled opportunities for networking with potential partners from across the globe.
We’re pleased to offer WIFTV members a discounted pass … and on top of that, we’ll send one exceptional writer, director, or producer to the festival with some well-deserved support.
Once a month Vancouver filmmakers gather at the Film & Media Showcase to watch a selection of short and feature-length films in a casual and supportive environment. Co-hosted by three artist-focused British Columbia organizations – Women in Film + Television Vancouver, Cineworks and DOC BC – the event offers filmmakers an opportunity to screen their work and discuss their creative process – both successes and challenges.
Last summer, WIFTV selected my short documentary One Step at a Time: A Story About Women and Shoes for screening at the showcase. The film, a portrait of four young women in Toronto and Vancouver who are embarking on unconventional careers in the traditionally male-dominated fields of cobbling and shoemaking, was decidedly in rough-cut stage. Continue reading →
A snapshot of participants of our Dec. 17 online session on zoom!
Q: Does my protagonist have to be female?
A: Yes, they must be female. The idea of the contest is to increase the number of women in front as well as behind the camera. This includes interesting female characters. Continue reading →
Cosplayers Maria Brine and Zack Young at Hal-Con, Halifax, Nova Scotia during the filming of Fanarchy.
Even before she agreed to meet with me, I imagined that interviewing Halifax-based filmmaker Donna Davies was going to be a magical experience. The writer/producer/director is known for her factual tales of all things genre, with documentaries such as Nightmare Factory and Pretty Bloody: the Women of Horror. She has recently ventured into a different aspect of genre with her 2015 documentary Fanarchy, which explores the phenomenon of the fan film, particularly in the sci-fi/comic book world. With the WIFTV genre contest #FromOurDarkSide on the horizon, I was thrilled to find an excuse to sit down and speak with her. Continue reading →
Suzanne MacLennan at work with a real bow from the TV series Arrow!
Suzanne MacLennan is a senior visual effects producer whose recent productions include the television series Arrow, The 100 and Once Upon A Time. Suzanne says she enjoys the entire production process from initial concept script through screening final shots, “except waiting for CG renders, which is never awesome.”
WIFTV is delighted to have Suzanne on the team of #FromOurDarkSide visual effects mentors!
We spoke with Suzanne about her take on genre and what being a mentor means to her: Continue reading →