95 years ago, she drove dogsleds, pioneered the nude scene and insisted in the human treatment of her animals’ co-stars. She lost everything but heart. And then she vanished . . . Continue reading
Well before the summer air turns crisp, filmmakers of all fields begin to plan for festival season. It’s a time of year when our consuming careers demand that we emerge out of the vortex of production and gather for an efficient dose of networking and reconnecting with friends and colleagues. Having old friends intermingled with new talent we have yet to meet provides us with a ripe and fertile circumstance; within which we get to expand our universes.
Our hometown film festival, the Vancouver International Film Festival (VIFF) has become a celebration of West Coast talent within a vibrant international community. Women in Film and Television Vancouver continues to be involved with that in as many ways as we can imagine. Continue reading
Paris, 1895. The Lumière brothers host a private screening of the Cinématographe, the world’s first projector of moving images. Amongst the small select group of friends, watching in awe at the birth of cinema, sits a young Alice Guy, secretary to studio owner, Leon Gaumont. She envisions the future of filmmaking and little she knows, she is about to craft it.
By 1896 Alice Guy, better known as Alice Guy-Blaché, had directed one of cinema’s earliest narrative films, La Fee aux Choux (The Cabbage Fairy). Pioneering in the use of close-ups, interracial casting, color timing and synchronized sound as early as 1905, Alice wrote, produced or directed more than 1,000 films over a 20-year career. She ran the Gaumont Film Company (now the world’s oldest film studio) with great success for over a decade and later became the first woman to own a motion picture studio called The Solax Company. Continue reading